Fiction

July 4, 2010

Fiction: Like Real Life, Only Better

By John Allie in Fiction

“It’s no wonder truth is stranger than fiction. Fiction has to make sense.” – Mark Twain

I like to think of fiction as a special version of reality. Fiction is inherently made up of lies, and yet it has a power unlike anything else, because it presents reality not actually as it is, but rather as it should be. Good fiction is beautifully organized into logical patterns, without any of the chaos of real life.

The basis of all fiction is the concept of plot, and understanding plot is an important step toward exploring how the fictional world is organized. Plot, put simply, is a causative system. In a plot, things happen because of each other, like cascading dominoes. You can write fiction without plot, but the result will simply be an unrelated series of events, which will seem far less engrossing to the reader. E.M. Forster created an example in which he stated that “The king died and then the queen died” is an example of a story, whereas “The king died and then the queen died of grief” is a plot. The first is not a plot because the events are completely unrelated to each other. In real life that’s how things happen a lot of the time: not all events effect new events, and things can occur unexpectedly. The world of fiction is an entirely different animal: though a plot can be unpredictable, it must never be illogical. Things happen because of other things. (Fiction in which things occur for no reason is melodrama, and it’s generally considered a bad thing.)

The world of fiction is filled with significance in a way that the real world is not. This is demonstrated well by Chekhov’s famous gun example, in which he stated that a gun should not appear on stage unless it will be fired later on. This doesn’t apply only to weapons, though. Any object which appears in a story must serve some function. If a character has a fast car, he should have a reason to drive it fast later in the story. A mysterious statue should be the hiding place for the stolen money. A weird rock that the protagonist trips over should turn out to be the Cosmic Orb Around Which the Universe Revolves (the very thing which the Evil Neptunians from Pluto are looking for). If only real life was like this! I keep a sharp knife here on my desk, and all that does in the third act is open packages for me. We don’t get foreshadowing in real life, at least not at the minute scale it occurs in fiction. That allows me to keep a knife on my desk without worrying that I’ll have to use it against armed robbers, but it also means that I won’t find the lost diamonds in my houseplants, no matter how prominent they are.

Fiction imitates reality, to be sure, but it’s a special imitation, one that’s meant to be better than the original. We want the world to be more like fiction. We like to imagine that the world makes sense and that things occur for a reason. In bad times we ask why we deserve the things that happen to us, as if we lived in an intricate plot in which our pasts caused the disasters of the present. We look for omens in everyday life, searching for anything that might give us a glimpse of the future. Life is uncooperative, though, stubbornly maintaining unpredictability and events that occur for no good reason. We want the world to be more organized than it is. We want it to be predictable, to make sense. Fiction allows us to experience the world as we want it to be, rather than as it actually is. That’s the beauty of it.

February 4, 2010

Keep the Aspidistra Flying

By Tms06003 in Fiction, Poetry

I was recently gifted a copy of this 1936 George Orwell novel by a professor who had inquired about what I wanted to do in life (which seems to be a common, dreaded, and hard-dying question in any college’s English wing). I responded that I’d “like to write,” and her eyes lit up. What was it, that I’d like to write, she asked. It was at that moment that the fatal word escaped my lips: “Poetry.”

She laughed – I’ll always remember the way her lips curled into that evil smile – and she ran into her office. She was back in seconds, and this tome was in her hand.

“Read it,” she said, “over break. And let me know if you change your mind.”

My fate seemed sealed.

This book is one of the most depressingly hilarious books that I have ever read. In it, Orwell portrays protagonist and poet Gordon Comstock as he wages his “War on Money.” The novel critiques the pride and lack-there-of to be found in every social class, and examines the societal and artistic cost that a person must pay in order to succeed in life.

Comstock, rather fatally to both his craft and nearly all of his relationships, believes that one cannot be artistic while holding down a “good job.” In his mind, it is one or the other; one cannot have both.

In order to devote time to his poetry, he quits a “good” advertising job and settles in as a clerk at a book store, where he earns the bare-minimum amount of money on which one could live. The depression of such a barren existence prevents him from completing any work, and he flounders.

As with most conundrums constructed in the human mind, it comes down to pride. Would pride and artistic conviction win out over the Money God? Read the book to find out. For Orwell fans of any age; aspiring poets and artists of every kind; for any person simply looking for an entertaining and hilarious book to read, I highly recommend this compelling and incredibly well-written book.  The question that it raises is as poignant now as it was in 1936: can money and art coexist and, if not, then what will the artistic future of our society be?

- Tim Stobierski